What makes a game serious? Hint: when it wins an (Emakina) award

May 18 2012

The answer is actually quite simple. According to the “Le jeu sérieux en Belgique francophone” annual conference (French for “the serious game in French-speaking Belgium”), the development of games has become more and more common in “serious” contexts, such as public-awareness campaigns, marketing a new product or service, or even for educational purposes. Every year, during the “Serious Game” event (which took place last week), prizes and awards are granted for outstanding so-called “serious” games.

 

The new game developed by Emakina for Electrabel has just been recognised as such, winning the Bell.Now award for the best “adver-game”. Participants of the “Serious Game” conference were asked to rank the best examples of the past year.   The Electrabel “Switch Off/ Smart Energy Game” was thus voted as the best case for marketing purposes. As suggested by the category name, the purpose of the game, developed entirely in-house by Emakina, was to promote the new Electrabel application which is part of the company’s wide-scale campaign.

 

The organisers might think it’s very “serious”. We still think it’s fun…!

 

 

Questions to Vint Cerf from the EmakiNation

May 16 2012

I’m one of the 7 persons who have the honor of being invited tonight to a diner and open discussion with Vint Cerf, one of the co-founders of the Internet.

To grasp a little bit of Vint Cerf personality and sense of humor, I invite you to read these memos : The Internet is for Everyone and A view from the 21st Century.

I have asked the EmakiNation the questions they would like me to ask him. I don’t have the answers yet as the diner is for later tonight, but I think the list of questions is already an invitation to think about the future of the Internet, which is also our future.

Here are the (unedited) list of questions, some are fairly technical, some are naïve. this reflect the variety of talents gathered under our flag, ranging from designers to technical geniuses :

  • Internet has democratized many things or at least enabled it. Knowledge in a larger sense and also entertainment forms like music, video,… Will it democratize democracy (in a state sense)? :) What i mean is do you think internet will be the future to able provide direct democracy or some other new form of democracy? What do you think about the metagovernment projects popping up?
  • Which of the crowdsourcing strategies do you most believe in ?
  • What is your feeling about the latest attempts to ‘restrict’ the internet SOPA, PIPA, ACTA, CISPA, … ?
  • What of the technical chooses you made in the past would like to see corrected in the future?
  • What were unfortunate technology changes (you feel was more a regression than an improvement in your feeling)?
  • What is the most promising evolution of the internet you see today?
  • How could we spread the use of internet even further to third world countries and thereby spreading knowledge?
  • How are things evolving with the interplanetary backbone? (first successful test was already in 2008)
  • Do you believe education should incorporate critical internet interpretation?
  • In some countries like Belgium you have a minimum access to eg. water and electricity, would it not make sense to have a minimal access to the internet? Has it become that essential?
  • Will the traffic remain fair or will it be prioritized based on content or origin ? Ex: a packet send from Youtube treated in higher priority by a network node than a packet sent from my personal blog.
  • Evolution of social media platforms with the penetration of mobile: Is Facebook dead unless it goes full mobile?
  • Est-ce qu’on peut imaginer l’internet sans l’ICANN ? Se qui veut dire se retrouver avec plusieurs internet…
  • Does he think as well that “the web is dead”?! Cf. the Wired article:
    http://www.wired.com/magazine/2010/08/ff_webrip/all/1
    (e.g. I believe – or would like to believe – in the future of web apps because of their flexibility and +/- “device agnostic” philosophy, but not everyone has the same idea)
  • Will Google and Facebook really disappear in 5 years?! ;-) (as an American analyst recently sayed) And who will be next “big ones”?
  • As a general consideration, are the current technical evolutions supportive regarding non-industrial and emergent countries? Or will they rather reinforce the gap between those countries and the more “advanced” ones? (“advanced” is maybe not the proper word, but you know what I mean)
  • Does the Internet need kind of a “world governance”? (as e.g. Jacques Attali recommends speaking about an “Etat-monde” : Cf. http://www.attali.com/livres/essais/demain-qui-gouvernera-le-monde
  • Will the Internet keep its democratic & “free will” orientation? (cf. Google partially censured in China, the Pirate Bay and the Megaupload cases etc. – so both from a socio-political and socio-economical point of view)
  • In our knowledge society, is the Internet market strong enough (in the long-term) to allow European countries (and their “knowledge workers”) to keep some competitive advantage on the big coming ones like India, Brazil and China? (cf. a recent discussion with a top manager at Accenture who roughly told me that “Europe is dead”, and that everyone there thinks the same way…)

One out of four is already ‘wow’!

May 14 2012

But in order for Brice to win the ‘Wow Effect’ award he still needs your vote…

 

What is that all about? Well, the Belgian Direct Marketing Association (BDMA) runs a competition for selecting the person who had the greatest contribution to the direct marketing sector. One of the four candidates for this year’s award is Emakina’s Chief Visionary Officer, Brice Le Blévennec.

That’s all you need to know. Now go execute your democratic right and vote (for Brice)!

 

 

The end of an “enchanted digital era” by Brice Le Blévennec*

May 11 2012

The “enchanted era” is a French expression (originally, “la parenthèse enchantée”), describing a period of some twenty years between the 60s and the 80s. It started with the invention of the birth control pill. For the first time in history, women gained control of their own bodies and could actually choose if and when they would get pregnant. The effect of women’s emancipation and the resulting sexual revolution went far. They altered societal values like the nature of relationships between men and women and even of working ethics (in the context of a continuous economic boom). Later, the spread of AIDS in the 80s and the rise of unemployment, brought an end to this careless period, one which brings up nostalgic memories for those who lived through it. A similar kind of an enchanted era is about to end on the Internet.

The enchanted digital era started when the one described above came to an end. It all began in the 80s when corporate computing made its first steps, pioneered by IBM. This was also the time when Apple introduced its first microcomputer, and Microsoft presented its first personal computers. At this point in time, the Internet was only used for military applications and for scientific research.

During the 90s, computers first became a consumer good, now available to the wide public. Suddenly, the word “computer” did not only infer a gigantic mainframe machine, but there were new forms out there, such as the micro-personal computers, or simply PCs. IBM was pushed aside by Microsoft, which equipped (almost) all its computers with its newly-developed operating system, known as Windows. Yet, the software world was in need of much more significant investments than those made by a few pioneers. As for the Internet, it remained an experts-only arena, although at this point the Web already existed, with emerging products like Netscape. Even the first personal assistants, such as Newton and Palm, had already made their first appearance in the market.

The first decade of the 21st century is the one which sees the reign of the Web. Google replaces Microsoft as the market leader (although the latter’s Internet Explorer continues to dominate the field of browsers) and the enchanted digital era begins: the Web is now based on solid foundations; on technologies which are widely accessible. A new virgin land is found; a territory with no entry barriers. The fact that (almost) anyone could create a website or launch a service created a startup frenzy, with Facebook standing out as the Web’s greatest success story. Apple comes back from its ashes, although its online services (like iTools, Dot Mac, and MobileMe) were still far from anything spectacular. Indeed, the burst of the dot-com bubble, and the 9/11 attacks that followed, slowed down the development of the Web. Yet, it was this decade which brought about an unprecedented wave of creativity, none of which would have been possible if it weren’t for the anarchic and decentralised system of the Internet.

Today’s landscape is again somewhat different. The 2010s will probably be remembered for the extensive use of mobile devices, smartphones, and of permanent Internet connection. The Net is now dictated by several giants who set the rules and impose them on all others. Google, along with its various services, remains the undisputed master of the Web. It is thus absolutely imperative to take into account the complex algorithms of this giant search engine and its way of prioritising digital information – in order to exist online and remain somewhat relevant. Facebook became a daily activity for hundreds of millions, thus having a great impact on our social interactions (like the disappearance of anonymity). Anything is now allowed… as long as you follow a few basic guidelines.

Apple did not only make a brilliant comeback; the company developed an entirely separate “ecosystem” of products which speak their own unique language to one another. It is thus impossible to put forward a new application or a podcast on the AppStore or iTunes without surrendering to the Apple hegemon. In sum, the aspiration for total freedom which prevailed during the dawn of the Internet has been replaced by a rather codified environment, one which is much more predictable. And yet, perhaps this is a necessary price for having large enterprises invest in interactive media and turn the Internet economy into a perennial one.

Of course, there will always be room for smart innovators and entrepreneurs who will introduce new products. But there is a long way to go until such new players could challenge the existing hegemony of the big ones. The latest success stories of startup companies prove exactly that. Zynga and Playfish were both entirely designed to fit the Facebook ecosystem. Angry Birds is an AppStore creature, and YouTube was very quickly caught into the world of Google. An important trend in the history of new technology is thus facing an end. Is this good news or bad news? We’ll find out soon…

 

*Translated from its original version in French

The new EU groove will make you wanna move!

May 7 2012

How do you take an abstract and complex topic, such as the contribution of the eco-industries to the European economy, and turn it into a viral clip? This was the challenge, posed by the European Commission to Emakina.EU, member of the Emakina Group, specialising in communicating the European institutions. The goal was to promote “Eco-innovation”, a programme run by the Executive Agency for Competitiveness and Innovation (EACI), supporting private initiatives which have a positive impact on both the environment and the European economy.

The great level of trust we gained from the client allowed our creative directors to explore new concepts, off the beaten-track of the typical “institutional” clips. Their idea was to “personify” the themes of environmentalism and economic activity in the form of two dancers.  The artistic interplay between the dancers metaphorically expresses the synergic potential of the two fields.  It was meant to rebut the misconception that environmentalism stands in the way of economic growth and show that the two can in fact enrich one another.

The clip was produced entirely in-house by Emakina.EU, including its original soundtrack music. In order to develop the concept and properly illustrate the relationship between the dancers, it was decided to produce a clip which lasts over two minutes, long in today’s standards of viral clips. The video will now be disseminated on the most popular social media,  targeting potential entrepreneurs who may be eligible for an EU grant.

 

The Belgian Football Association scores online with a new website made by The Reference

May 4 2012

Football fans in Belgium and around the world can now enjoy the new website of the Royal Belgian Football Association (RBFA). BelgianFootball.be was created by The Reference, a Ghent-based full-service digital agency, and part of the Emakina Group.

 

 

A site to experience today’s football

The Royal Belgian Football Association exists since 1895 and represents all football clubs in Belgium. Each football season, the Association organises no less than 300,000 football matches for 2000 teams. Its ambassadors, the Red Devils, represent it internationally, attracting a lot of web attention. The Belgian Football Association has been active on the web for many years with the site footbel.com (included in the CIM Metriweb reports). Players, from the highest to the lowest leagues, and their supporters, use this site extensively. But they’re not alone. The site is also commonly used by referees, trainers, clubs, board members, stewards and volunteers, sponsors etc. A match is a lot more than 22 players on a field running behind a ball… As a full-service digital agency, The Reference convinced the Association of their web approach in synchronicity with the further professional development of the sport in Belgium.

 

Caught the football bug? Build your own website!

The project posed some interesting challenges. The new RBFA website had to accommodate large traffic volumes, while delivering massive amounts of information to the entire football community.  Thanks to the smooth integration with the RBFA’s databases and its existing backend, you are a click away from all information on teams, upcoming matches, and more!

To make the web experience fun and user friendly, the site features a dashboard, where visitors can create their own pages. Each of them can pick her or his favourite team, be alerted of cancelled matches, view filtered news items, and enjoy many other personalisation features.

The new site was built using Drupal 6, with an extensive system of dynamic blocks. Content editors can thus create and adapt information efficiently and with high flexibility, significantly reducing the time laps needed for information to be published.

Anja Cappelle, managing director van The Reference concludes: ‘We are very proud to have created this very lively information channel for the Belgian football fans and their Association’.

 

Do you watch Food Porn?*

Apr 25 2012

It’s been a few years now that the terms “food porn” or “foodography” have been used in culinary contexts. This new jargon was born in the United States but later expanded into Europe. First, let’s be clear: it’s not about pornography. Food Porn has nothing to do with the art of individuals exposing their bodies in front of a camera!

 

 

The concept originates from social changes that took place over the past generation. Cooking is above all a way of passing on a cultural heritage, often one that runs through the family. The redefinition of societal values during the 70s and 80s created a cultural deficit which deprived an entire generation of its own gastronomic heritage.

Logically, the Internet quickly filled this gap, becoming a new platform for sharing culinary know-how. Cooking blogs, typically maintained by passionate self-taught cuisine experts, have thus been multiplying, turning certain bloggers into mini web-celebrities. At a time when service providers are becoming cultural heroes, a manual activity like cooking is at the spotlight.

It’s all about sharing. We often associate cooking with love or affection. Several phases in the cooking process are important: there’s that of passing on the knowledge as mentioned above, then the creative part, and finally the actual action. But the moment which is mostly appreciated by those who sweat above their stoves is that of the feedback, of offering commentary. Cooking is a way of putting oneself at the forefront, of seeking recognition. TV shows like MasterChef or Come Dine With Me joined the online trend, bringing the commentary addiction to a new level, due to the competitive component, as well as the reinforced attention to food aesthetics.

Socials networks now allow any cook to share his or her activities with audiences larger than ever before.  Such “Foodies” (or cooking amateurs) have thus also become photographers, cherishing their work in pictures in order to later share it with followers and friends; a habit which is now known as “food porn”. The term was originally used to describe quasi-erotic TV commercials which presented food (often vegetables) in a sensual way.  Nowadays, the term “porn” can be found in various contexts, often describing a mix of images, meant to lure viewers towards a certain topic (architecture, automobile, etc.).

The more visually attractive the picture is, the more tempting its object becomes, and the more it will generate feedback and comments on social networks. In an era, known for its documentation of our almost daily existence, photography has become an image-based conversation tool.

In 1825, French gastronomist Jean-Anthelme Brillat-Savarin wrote: “Tell me what you are and I shall tell you what you eat” (which later evolved into the popular Anglo-Saxon idiom of “you are what you eat”). Things haven’t changed much since the time of Brillat-Savarin. Presenting in images what we eat is the new digital way of presenting oneself, of telling our story. The time when we eat makes up an important part of our daily lives, thus with three meals a day, food is a major part of our existence.

Mobile technology allows anyone to take a picture, share it, and comment on it. The wide spread of high-quality digital cameras plays an important role in this trend, well understood by brands like Nikon and Canon. Most of their models now have a “food mode” feature for optimising the quality of culinary photography.

Social platforms like Instagram or Pinterest are sometimes seen as the El Dorado of some (very) amateur food pornographists. Users’passion is often so great that it sparks mockery as illustrated in this “Read Write Web” article. Indeed, with Facebook pages such as this, it is hard to deny the article’s criticism… Sharing a picture of your pale ham and eggs from last Sunday is like thinking that your holiday photos resemble the Swimsuit edition of “Sports Illustrated”.

The most commonly-shared food pictures on social networks are desserts (18.3%) and vegetables (17.8%). High ranking of desserts can be explained by their aesthetic looks and colourfulness.  Vegetables, on the other hand, have become a symbol of a healthy lifestyle, a trendy concept on its own.

Different motivations drive the picture sharing of home-made versus restaurant-made dishes. The former satisfies our need to be recognised for our skills, also known as the “IKEA effect”, wanting to share all our “I-did-it-myself” items. The latter, however, celebrates our individual’s capacity of being a “discoverer” of the best eateries, using photos as “proof” on social recommendation platforms. Many mobile applications are currently riding this trend, including Foodreporters in France and Foodspotting in the US. The fact that consumers prefer their peers’ advice over those of brands or institutions is creating an earthquake in the world of food guides. While many of those guides try to join the digital revolution, brands like Michelin or Gault Millaut are the first to pay the price for the rise of food porn.

 

*Originally written in French by Théo Saulnier for the Emakina.FR’s blog.

Emakina strategist Amélie Sainthuile to present at Brussel’s annual “Media Night”

Apr 24 2012

Like every year, Belgium’s school of social communication (IHECS) organises an event dedicated to presenting its students’ projects, and bringing together communication experts. This year, organisers invited Amélie Sainthuile, Digital Planner & Social Media Strategist at Emakina/ Strategy and Emakina/ Social. She will talk about public relations with new media.

 

 

The event, titled “Nuit de medias” (media night) will take place tomorrow, April 25th at 19:30, at the school’s venue, located at Rue de l’Etuve 58-60, Brussels (two steps away from the Grand Place!).

 

Blue Band and Planta choose EMAKINA.NL

Apr 17 2012

Emakina.NL has won the pitch for the development and creation of the brand platform websites for Blue Bland (Netherlands) and Planta (Belgium). The digital agency was chosen over two other agencies in the competition. The decisive elements in the decision were Emakina’s clear consumer insights, combined with their strong and creative strategy for a content-driven platform. Next to this, the translation of the concept to a strong content calendar seamlessly fitted with the always-on communication approach of the Unilever brand. The agency will manage the technical, creative and editorial side of the projects.

 


Blue Band is a household name in the Netherlands since 1923. The brand is known in the market as a trusted margarine for young families. DraftFBC developed and executed the current above-the-line campaign. Quelle Belle Journée (Paris) is responsible for the creation of the new TV commercial for Planta.

Emakina.NL is part of the Emakina Group, an international online agency network with over 350 employees, active in the Netherlands, Belgium, France and the United Kingdom. Besides Blue Band, the customer portfolio of Emakina includes Bonduelle, Foundation ‘Weet Wat je Besteedt’, Dove, Magnum and Unox .

 

Partenamut redefines the communication code of health-service providers

Apr 16 2012

A new print campaign, produced by Emakina for Partenamut, the Belgian health services and insurance provider, introduces a striking new visual identity for the brand. After creating an original all-blue environment two years ago, Emakina decided to build on the same logic with an aesthetic approach that is unique in the field of health services. Together with the client, the team steered away from the traditional use of lifestyle photos of ‘shiny happy people’, in need of medical treatment. Instead, the campaign introduces handmade clay statues, designed and created by artist Ghislain Honoré.

 

 

Using photo-stop motion, each of the characters is presented in a typical every-day-life situation, where Partenamut plays a positive and dynamic behind-the-scenes role. Both the background and the characters were left in white while the key items, associated with the Partenamut’s positive intervention, were digitally coloured in the brand’s identifiable blue. Some 68 kilos of Italian clay in ‘broken white’ were used to create 50 statuettes, each about 20 cm tall, as well as some glasses, crutches, hospital beds, and other accessories.

Partenamut makes every effort is made to make clients’ lives easier, with less concerns, and with the least possible amount of paperwork.  This campaign thus symbolised Partenamut’s approach of keeping its services as simple as possible for its clients. The original visuals were combined with to-the-point and service-oriented copywriting. All the displayed messages were direct and positive; illustrating the advantages of Partenamut’s various services.

Watch your backs if you are working at Emakina’s Brussels headquarters!

Apr 13 2012

Who will be the last survivor in the Wild West (or rather south east…) of Brussels? We’ll know in a few months because a GOTCHA murder game will be launched next week among Emakina’s Brussels-based employees. From next week on, everybody is a potential killer!  So be vigilant…

What’s the game all about? Well, it’s rather simple. Each employee will receive the name of their target victim. “Killing” is done by spraying a tiny bit of water over her or him. Small syringes will be distributed to help us amateur killers do an elegant job. If you are able to wet your victim with NO witnesses watching, you succeeded. Your victim’s (failed) target will now become your next, and the game continues until there is only one person left. She or he will off course gain eternal fame and will forever be remembered as Emakina’s Jack the Ripper. And oh yeah, for us “material girls” out there, don’t worry! The winner will also get a nice prize to enjoy while resting on her or his laurels…

Impossible to know at this point how long the game will last or who will turn out to be the best shooter. Nothing is certain here! The only thing we know is that if you hear someone shouting “GOTCHA!”, there is one competitor less. And you can only hope it isn’t you…

Let’s play!

 

Emakina wins a Trends-Gazelles award for exceptional growth

Apr 3 2012

As every year, business magazine Trends-Tendances has ranked the fastest growing companies across the Belgian market. The competition is open for companies active for at least five years, presenting a positive cash-flow, and which have created at least 20 jobs since their creation.

Out of a database of the top 100,000 companies, Trends-Tendances selects the best cases in three different size categories: small, medium, and large. Emakina made the Gazelles list of medium-size companies thanks to its solid figures: 17% growth in its turnover, 153% increase in cash-flow, and 34% in its personnel. Winners were announced in Brussels in a festive event on March 28, at the Tour&Taxis venue.

 

 

Emakina adopts Wanabe’s goodwill

Mar 28 2012

Commercial Information – In a business move that advances Emakina’s positioning, the company announced today its purchase of Wanabe’s goodwill. Wanabe is a Belgian-based agency which has enjoyed a strong reputation for its competences in brand activation, use of CRM tools, and building brand loyalty. It has been active in various sectors, such as: automotive, tourism, consumer goods, and retail.

 

 

 

Immediately following this acquisition, the Emakina Group, will offer Wanabe’s clients services from its four core fields of activity, namely: strategic brand management, brand activation, web building and digital applications. Emakina’s nine “Competence Centres” will also be put forward to Wanabe’s existing clients, allowing for the two companies to develop new business synergies.

 

Brice Le Blévennec, Chief Visionary Officer of Emakina: “This acquisition will reinforce our experience in brand activation and in CRM systems. The current trends towards consumer-focused marketing and the use of social media – become more strategic for our clients. Our newly-enriched service offer is thus now even more unique in our market”. Following the acquisition, Wanabe will be managed by Elsa Nejman and Jonathan Cerneels; who will serve as Managing Director and Managing Partner, respectively.

 

Finally released for publication: Emakina has won two IAC awards!

Mar 27 2012

It’s not easy, knowing that we were yet again winners of such distinguished prizes, and to have to remain silent about it… But now that the organisers of the Internet Advertising Competition (IAC) gave us their OK, we can proudly announce: we did it; Emakina won two IACs this year!

Our first prize was for the “Test-Achats 50 Avocats ” campaign, under the Best Magazine Online category. The original campaign was supported by social media activities and a viral clip on protecting consumer rights. It generated a record number of citizens engaging with the organisation, thus making it more relevant than ever before.

We also won the Outstanding Website award for Belgium Rollers’s new home page, designed by Emakina. Thanks to its original funky characters and marvelous design, the website presents to its visitors the fun urban universe in the Roller Parade spirit. All that’s left is scrolling and clicking around this dynamic website in order to learn about the event!

 

 

 

Emakina is the brain behind the Clinique “3 Step Coach” campaign

Mar 26 2012

Clinique, the American cosmetics brand, famous for its allergy-tested products, has decided to engage with its clients differently. Its recent campaign, titled “3 Step coach”, uses a specially designated online platform for this purpose.  Clinique invites users to register as “coaches” on a Facebook Connect application, designed and developed by Emakina. Once registered, the challenge is on. Their goal is to invite as many friends as possible, and then share information on Clinique products as well as their personal experiences with them. Coaches are awarded with “badges” for each successful invitation or item they advertise. They become official “ambassadors”, after having collected a total of seven badges.

 

 

During the course of one year, all ambassadors receive Clinique products, corresponding with the experiences they write about. They are also treated with a personal coaching session, offered by an official Clinique expert. This experience will guide them on how to best match their skin types and needs with the most appropriate Clinique products. Friends of the ambassadors, who follow the activity online, get a VIP treatment as well! They each receive a three months products supply and the opportunity to join their ambassador during the one-on-one coaching session.

The “3 Step coach” application is unique in communication on beauty and cosmetics. Clients interact intensely with the brand, and deepen their knowledge of its various products. Furthermore, this campaign, covering 8 different European countries, was adapted to in the various languages of each local market.